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Issue 07The long autumnAutumn and winter 2026

Published by Étude, Porto. Free with every order. Shop the issue
Nº 07
AW 2026
Inès Varela, our creative director, at home in Lisbon in September.
From the editor

We made fewer things this autumn, and made them to last.

This issue began with a coat. Marta, who has cut our outerwear for eleven years, laid a camel wool coat on the cutting table in March and said she wanted to make it for the rest of her life. We spent the spring trying to prove her wrong, and failed.

So this autumn there are fewer pieces than last year: twenty-five in all, arranged in five chapters. Each one is made in Porto or Ubrique in runs of no more than two hundred, from cloth we can trace back to the mill. Every coat and bag comes with free repairs for as long as you own it.

We photographed them the way we wear them: on pavements, in borrowed apartments, on the stairs of the atelier at seven in the evening. We hope you keep them long enough to forget where you bought them.

Fig. 1 The Brick Lane Coat in camel melton€640
Fig. 2 Long Weekend Trench, on the way out€520
Cover story

The long autumn

Eight coats and jackets for the months between the first cold morning and the last. Cut long, mostly unlined, in wool you can trace to a single mill in Biella.

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Fig. 3 Snowline Overcoat€720
Fig. 4 Sidewalk Wrap Coat€620

Contents

Five chapters, twenty-five pieces
    Feature

    Red, worn in daylight

    Red was always for evenings. This season we cut it into a blazer, a slip dress and a plain pump, and wore all three to breakfast. Start with one piece, add a second when you feel brave, and keep the third for the day you decide to be impossible to miss.

    Shop the colour
    Marta Ribeiro, head cutter, photographed at the Porto atelier.
    In conversation
    “A coat should be able to outlive three owners. I cut every one as if it will.”
    What do you look for first in a cloth?
    Weight, then memory. I crush a corner in my hand. If it remembers the shape of my fist, it is wrong for a coat.
    Why leave so many coats unlined?
    A lining hides bad work. Without one, every seam is on show, so every seam has to be beautiful.
    What should someone ask before buying a coat?
    Whether they would still want it in ten years. If the answer takes longer than a second, keep walking.
    What is on your table right now?
    Next winter's coat. It is grey. That is all I am allowed to say.

    The lookbook

    Nine looks
    The atelier

    How the clothes are made

    • In small runs

      No piece is made in more than two hundred. When a run sells out it stays sold out, and we move on to the next chapter.

    • Repaired for life

      Send back any coat or bag, at any age, and our workshop will mend it at no cost. We have repaired coats that are older than the company.

    • Traced to the mill

      Every cloth is traced from fibre to finishing and listed by mill on its product page, so you know whose hands it passed through.

    The letter

    One letter a month, written like a magazine.

    New chapters before anyone else, notes from the atelier and the occasional recipe from Marta. No more than twelve emails a year.

    You can unsubscribe from any letter with one click.
    The issue / Shop / All pieces
    The full issue

    All pieces

    24 pieces
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